Cradling, 2018 (39 x 34cm)
Travertine, slate, keraflex, pigment, ply
Cradling 2, 2019 (51 x 35cm)
Marble, travertine, keraflex, pigment, ply
Sitting Saint, 2018 (38 x 31cm)
(study of an Orthodox icon of unknown origin)
Marble, travertine, keraflex, pigment, ply
Standing Saint, 2019 (81 x 32cm)
(study of John the Evangelist by Andrei Rublev)
Marble, travertine, keraflex, pigment, ply
Dumb, 2017 (116 x 82cm)
Marble, travertine, keraflex, pigment, ply, resin
The Midas Touch, 2019 (2:52)
Work in progress
A short test video referencing opera in the Baroque style attempting to tell a celebrity story that parallels an ancient myth.
Using a Baroque opera format to tell these stories is significant due to the history of the method of acting in this period. The method of acting included specific hand gestures formalised by John Bulwer in Chirologia, (1644). These hand signs can be traced back to the gestures in iconography during the Medieval and Renaissance periods, and their origin can be traced back to classical orators like Cicero during the ancient Greek and Roman civilisations.
The Runner, 2018 (39:40)
As exhibited in Postage and Packaging Paid For as part of Art Licks Weekend 2018, Juno Cafe, London, UK
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The Runner Editions, 2018
Print on nylon, cap, trainers, weightlifting belt
1 of 3 (L)
1 of 3 (S)
In no new house a radio, 2017 (3:04)
As exhibited in PC4PC, 198 Contemporary Arts and Learning, London, UK
Actors in order of appearance:
Georgia Stephenson
Nina Davies
Jane Davies
Jack Evans
Charles Verni
Reid Calvert
Naomi Afrassiabi
Adeeb Ashfaq
As exhibited in Postage and Packaging Paid For as part of Art Licks Weekend 2018, Juno Cafe, London, UK
The Runner Editions, 2018
Print on nylon, cap, trainers, weightlifting belt
1 of 3 (L)
1 of 3 (S)
In no new house a radio, 2017 (3:04)
As exhibited in PC4PC, 198 Contemporary Arts and Learning, London, UK
Actors in order of appearance:
Georgia Stephenson
Nina Davies
Jane Davies
Jack Evans
Charles Verni
Reid Calvert
Naomi Afrassiabi
Adeeb Ashfaq
Clutch Toy Cry, performance documented in 2018, (7:46)
As exhibited in 2016 in So, What is it that you do exactly? SLAM, London, UK, and Elastic Mediums, Campbell Works, London, UK
As exhibited in 2016 in So, What is it that you do exactly? SLAM, London, UK, and Elastic Mediums, Campbell Works, London, UK
More Performances, 2015-2018
Some exhibited in STAIN, Mori & Stein Gallery, London, UK,
Metaphonica, Central St Martins, London, UK
and 'Untitled' Work no. 14, Vogue Fabrics, London, UK
Some exhibited in STAIN, Mori & Stein Gallery, London, UK,
Metaphonica, Central St Martins, London, UK
and 'Untitled' Work no. 14, Vogue Fabrics, London, UK
Selected Group Exhibitions
2018 Postage and Packaging Paid For, Art Licks Weekend 2018, Juno Cafe, London, UK
2017 GOAT, Newlyn Art Gallery, Cornwall, UK
2017 PC4PC, 198 Contemporary Arts and Learning, London, UK
2016 Elastic Mediums, Campbell Works, London, UK
2016 So, What is it that you do exactly? SLAM, London, UK
2016 STAIN, Mori & Stein Gallery, London, UK
2016 Nawki, The Royal Standard, Liverpool UK (w/ 12o Collective & Ladette Space)
2015 PRINT4, Arcane Gallery, London, UK
2015 Metaphonica, Central St Martins, London, UK
2014 'Untitled' Work no. 14, Vogue Fabrics, London, UK
2014 sur une proposition de Koenraad Dedobbeleer, École nationale supérieure des beaux-arts, Paris, France
2013 DIY, 6 Blomfield Villas, London, UK
2012 Sound Through Barriers, Art Lab Fort Collins, Colorado, America
2012 Free Cake, CGP, Dilston Grove, London, UK
2011 (co-curated with Emma D’Arcy) Foundation Retrospective: A Commemorative Exhibition, Cheltenham, UK
Awards and Residencies
2019 LSoM at Tate, Public Works residency as part of School of Civic Action, Tate Exchange, London, UK
2019 The New Flesh Artists’ Residency / Commission, Lux, Academy Costumes, London, UK (shortlisted)
2015-2017 ACME/CSM Associate Studio Program
2017 GOAT, (as part of Transitions), Newlyn Art Gallery, Cornwall, UK
2015 12o Collective Business Card Residency, Stoke Newington, London, UK
2011 WDBDM, Color Elefante, Valencia, Spain
Talks
2019 LSoM at Tate, School of Civic Action panel, Tate Exchange, London, UK
Publications
2016 Review of Nawki by The White Pube, https://www.thewhitepube.co.uk/not-as-we-know-it-muesli
2015 Profile by Alex Saden in ‘Interventions in time and space: the performativity of art’, 1 Granary, Issue Three
Professional
2019-present, Governor, London School of Mosaic
Education
2012-2015, Central Saint Martins, BA (Hons) Fine Art
2014, École Nationale Supérieure des Beaux-Arts de Paris, ERASMUS Exchange
2010-2011, University of Gloucestershire, Foundation Art and Design