Joe Moss

→ That’s the world I’m going to send you to!
→ In the overlaying of everything
→ Infinite Customisation
→ Fantasy Figurine
→ Horror Flick
→ Real Nature
→ With Hay
→ Don Quixote has a Dream
→ Model Village
→ Ancient Mew
→ Underpinned by the Movements of Freighters

→ Info
→ Insta
→ Gertrude

Contact: joemoss@tuta.io

Upcoming:

Group
August-September 2024, Dumping Ground, Hypha Studios, London, UK
November 2024, Late Works: Preparations, San Mei Gallery, London, UK
February 2025, Surroundings, Marytwo, Lucerne, Switzerland

Solo
August-September 2024, Well Projects, Margate, UK

Selected Exhibitions
2024 Artwalks.xyz with NN Contemporary, Northampton, UK
2024 *screening Conditions Film Retrospective, ICA, London, UK
2024 Postgraduate Degree Show, Slade School of Fine Art, London, UK
2024 Peasants Revolt Now! Prayer Room, Birmingham, UK
2024 *performance with Vengaworld, New Contemporaries Live, Camden Arts Centre, London, UK
2024 New Contemporaries, Camden Arts Centre, London , UK
2023 The Way We Left It, The Wilson Museum, Cheltenham, UK
2023 Future Artefacts Takeover, Shoreditch Arts Club, London, UK
2023 New Contemporaries, Grundy Art Gallery, Blackpool, UK
2023 Model Village, Eastcheap Projects, Letchworth Garden City, UK
2023 Supersublime, Giant Gallery, Bournemouth, UK
2023 Judd Dredd, Worlding Projects, London, UK
2022 Model Village, NN Contemporary, Northampton, UK
2022 Ghost Show, Copeland Park, London, UK
2022 Conditions, Conditions Project Space, Croydon, UK
2022 Ancient Mew, Whitgift Centre, Croydon, UK
2022 The Map is not the Territory, the Plan is not the Place, Eastcheap Projects, Letchworth GC, UK
2021 Ghost Show: Nightmare Before Christmas, Hartslane, London, UK
2021 Conditions, Whitgift Centre, Croydon, UK
2021 *curated Underpinned by the Movements of Freighters, The Florence Trust, London, UK
2021 Icarus-Blue: Post-Virus, Netil Radio, Online
2020 An Heart, Museum of Data, Online
2020 Homegrown, Hauser & Wirth, Online
2018 Postage and Packaging Paid For, Art Licks Weekend 2018, Juno Cafe, London, UK
2017 GOAT, Newlyn Art Gallery, Cornwall, UK
2016 STAIN, Mori & Stein Gallery, London, UK
2016 Nawki, The Royal Standard, Liverpool UK (w/ 12o Collective & Ladette Space)
2014 'Untitled' Work no. 14, Vogue Fabrics, London, UK

Awards and Residencies
2023 New Contemporaries
2023 London Bronze Editions, Foundry Fellowship, UK
2022 Artist in Residence at Eastcheap Project Space, Letchworth Garden City, UK
2020 Stokkoyart Residency, Stokkoya, Norway
2019 LSoM at Tate, Public Works residency as part of School of Civic Action, Tate Exchange, London, UK
2019 *shortlisted The New Flesh Artists’ Residency / Commission, Lux, Academy Costumes, London, UK
2015-2017 ACME/CSM Associate Studio Program
2017 Transition: GOAT, Newlyn Art Gallery, Cornwall, UK

Talks + Radio
2023 *commissioned episode for Future Artefacts, RTM.fm
2021-present *sound production for Future Artefacts, RTM.fm
2021 *featured in Time Disaster, Mark Leckey w/Conditions, NTS Radio
2020 *curated Medium Conference, London School of Mosaic, London, UK
2019 LSoM at Tate, School of Civic Action panel, Tate Exchange, London, UK

Press + Publications
2024 Review of Dumping Ground by Eddy Frankel in Time Out
2024 Regular Column commissioned for Mosaic and Glass Magazine
2022 Interviewed by Angela Youngman in Mosaic and Glass Magazine, Issue 3
2021 Conditions, Review of Conditions by Jamila Prowse in Art Monthly no. 450, p.32
2021 A Cosmic Soup of Fantasy and Industry, Review of Underpinned by the Movements of Freighters by Vanessa Murrell on Something Curated
2021 *curated + published Underpinned by the Movements of Freighters, Zine
2021 Article for Gatekeeper Magazine, Collectible Digital Objects, why they suck and why they shouldn’t.
2016 Review of Nawki by The White Pube
2015 Profile by Alex Saden in ‘Interventions in time and space: the performativity of art’, 1 Granary, Issue Three

Education
2019-2022 Conditions Studio Program, Croydon, UK
2012-2015 Central Saint Martins, BA (Hons) Fine Art
2010-2011 University of Gloucestershire, Foundation Art and Design

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I work across media, mainly wall works and video. I’m also a trained mosaicist which is something it try to bring into my work with assemblages of contemporary material, mainly aluminium framing and engraved cardboard. I position noise from the digital screen (subcultural, UI, pop ups) alongside craft techniques.

My work brings together different fictional registers, playing with hierarchies of the materially real, intersubjectively real, fictional and fantastic. I am interested in where these registers clash and I think in these moments some of the new conditions in contemporary experience are revealed. My work is felt through the rapid collision, collapse and reformatting of material and fiction. Beyond shifting positions or perspectives, it is now simply a position and one to do things in.