currently enrolled on Slade MFA Media 2024

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Contact: joemoss@tuta.io

Upcoming:
Group
June 2024, Postgraduate Degree Show, Slade School of Fine Art, London, UK
August 2024, Dumping Ground, Hypha Studios, London, UK
February 2025, Surroundings, Marytwo, Lucerne, Switzerland
Solo
August 2024, Well Projects, Margate, UK
September 2024, Verdurin, London, UK

Selected Exhibitions
2024 Peasants Revolt Now! Prayer Room, Birmingham, UK
2024 New Contemporaries, Camden Arts Centre, London , UK
2023 The Way We Left It, The Wilson Museum, Cheltenham, UK
2023 Future Artefacts Takeover, Shoreditch Arts Club, London, UK
2023 New Contemporaries, Grundy Art Gallery, Blackpool, UK
2023 Model Village, Eastcheap Projects, Letchworth Garden City, UK
2023 Supersublime, Giant Gallery, Bournemouth, UK
2023 Judd Dredd, Worlding Projects, London, UK
2022 Model Village, NN Contemporary, Northampton, UK
2022 Ghost Show, Copeland Park, London, UK
2022 Conditions, Conditions Project Space, Croydon, UK
2022 Folly, Wells Projects, London, UK
2022 Ancient Mew, Whitgift Centre, Croydon, UK
2022 Model Village, Amersham Arms, London, UK
2022 The Map is not the Territory, the Plan is not the Place, Eastcheap Projects, Letchworth GC, UK
2021 Ghost Show: Nightmare Before Christmas, Hartslane, London, UK
2021 Conditions, Whitgift Centre, Croydon, UK
2021 *curated Underpinned by the Movements of Freighters, The Florence Trust, London, UK
2021 Icarus-Blue: Post-Virus, Netil Radio, Online
2020 An Heart, Museum of Data, Online
2020 Homegrown, Hauser & Wirth, Online
2020 *duo show An Heart, Catford Mews, London, UK 
2020 *duo show An Heart, no format gallery, London, UK  
2018 Postage and Packaging Paid For, Art Licks Weekend 2018, Juno Cafe, London, UK
2017 GOAT, Newlyn Art Gallery, Cornwall, UK
2017 PC4PC, 198 Contemporary Arts and Learning, London, UK
2016 Elastic Mediums, Campbell Works, London, UK
2016 So, What is it that you do exactly? SLAM, London, UK
2016 STAIN, Mori & Stein Gallery, London, UK
2016 Nawki, The Royal Standard, Liverpool UK (w/ 12o Collective & Ladette Space)  
2014 'Untitled' Work no. 14, Vogue Fabrics, London, UK

Awards and Residencies
2023 New Contemporaries 
2023 London Bronze Editions, Foundry Fellowship, UK
2022 Artist in Residence at Eastcheap Project Space, Letchworth Garden City, UK
2020 Stokkoyart Residency, Stokkoya, Norway  
2019 LSoM at Tate, Public Works residency as part of School of Civic Action, Tate Exchange, London, UK
2019 *shortlisted The New Flesh Artists’ Residency / Commission, Lux, Academy Costumes, London, UK
2015-2017 ACME/CSM Associate Studio Program
2017 Transition: GOAT, Newlyn Art Gallery, Cornwall, UK

Talks + Radio
2023 *commissioned episode for Future Artefacts, RTM.fm
2021-present *sound production for Future Artefacts, RTM.fm
2021 *featured in Time Disaster, Mark Leckey w/Conditions, NTS Radio 
2020 *curated Medium Conference, London School of Mosaic, London, UK
2019 LSoM at Tate, School of Civic Action panel, Tate Exchange, London, UK

Press + Publications
2022 Interviewed by Angela Youngman in Mosaic and Glass Magazine, Issue 3
2021 Conditions, Review of Conditions by Jamila Prowse in Art Monthly no. 450, p.32
2021 A Cosmic Soup of Fantasy and Industry, Review of UMF by Vanessa Murrell on Something Curated https://somethingcurated.com/2021/07/06/a-cosmic-soup-of-fantasy-industry/
2021 *curated + published Underpinned by the Movements of Freighters, Zine
2021 Article for Gatekeeper Magazine, Collectible Digital Objects, why they suck and why they shouldn’t. https://gatekeepermagazine.com/Collectible-Digital-Objects-why-they-suck-and-why-theyshouldn-t
2016 Review of Nawki by The White Pube, https://www.thewhitepube.co.uk/not-as-we-know-it-muesli
2015 Profile by Alex Saden in ‘Interventions in time and space: the performativity of art’, 1 Granary, Issue Three

Education
2019-2022 Conditions Studio Program, Croydon, UK
2012-2015 Central Saint Martins, BA (Hons) Fine Art
2010-2011 University of Gloucestershire, Foundation Art and Design


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I work across media, mainly wall works and video. I’m also a trained mosaicist which is something it try to bring into my work with assemblages of contemporary material, mainly aluminium framing and engraved cardboard. I position a variety of noise from the digital screen (subcultural, UI, pop ups) alongside craft techniques.  

I am interested in how different fictional registers meet, playing with hierarchies of the materially real, intersubjectively real, fictional and fantastic. I think the strange meeting places of these hierarchies offer up glimpses of new conditions of experience. I push these things together to find the cultural moment, felt through the rapid collision, collapse and reformatting of material and fiction. It’s a new frequency that provides a new context for old questions.  Beyond shifting positions or perspectives, it is now simply a position and one to do things in.
Copyright © — Joe Moss, All rights reserved